原文刊登於
http://www.gigguide.tw/event-12141
游牧在後搖滾及民謠之間，寧靜憂傷、亦說亦唱試圖拼湊出古典/民謠/獨立搖滾的混合配置， 冀以對照台灣當代都市變遷概況，產生當代生活對話的新型意義。
在城市觀察計畫中，歷史不斷重現的事件與現象連結起各現象，沒有建議或倡導讀者(lecteurs)或觀者(spectateur)什麼是下一步，演出將角色留在講述過去，接著在演出中產生現在，最後留下界線，來讓未來在個體間發展。如何在二元論中逃脫，而且在書寫或展現的界線中取得中立的角度，來釋放出現代性創造的對立？因此從閱讀歷史之間，我們就會了解我們對抗的不是對立一方有如二元論架構的怪獸或敵人，而是處在現在性架構中的陰暗面，從了解根源和事件中，來連結出整個現狀。
「終極性的毀滅行動，覆蓋所有進步痕跡。」
如同Anselm Franke所說，「這個社會(現代性)究竟對你來說到底是什麼？它怎麼影響了我們的心情與想法？這個社會現象已經如何改變你的日常生活了？」
Autumn Tea, normalizing between folk and post-rock, personal record of urban observation, is to search for the dialogue of modern taiwanese society observation.
In Urban Project II, we discover the repetitive historical events by pilling and accumulation, the link in between each events cannot suggest lecteurs or specactateurs what the following actions can be taken on, but leaves the roles in the past. The subjectivity of listener should take place its dominant roles. By the sheer line of what stories left behind, the spectateurs will be provoked to lead their future. The neutral position from dualism (no matter sacre or evil), is the main purpose to achieve in writing and expression to release the confrontation created by modernity. Thus, by reading the discourse, we would be led to understand that we are not fighting against the monsters or enemies constructed by the form of dualism, but we ought to discover the shadow of this structure, by its origin and events to identify the whole picture of our modern society.
According to Anselm Franke, *what does this society, the modernity mean to you? How does it influence your feelings and thoughts? How does this social phenomenon influence your daily life? *
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